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   National Workshop on Calligraphy and Typography  
 





National Workshop on Calligraphy and Typography

Call for Participation
April 19 - 20, 2007, Pune, India


Organized by
CENTRE FOR DEVELOPMENT OF ADVANCED COMPUTING
Ministry of Communications and Information Technology, Government of India

with support from
TECHNOLOGY DEVELOPMENT IN INDIAN LANGUAGES
Ministry of Communications and Information Technology, Government of India

 

 

 
About the Workshop

India has a glorious heritage of calligraphy with a rich and varied tradition of craftsmanship on palm-leaf, metal and stone. The Gutenberg Galaxy tried its best to capture the beauty of shapes and designs. With the advent of the Digital Age and the tools placed at the disposal of artists, a new era in Calligraphy and Typography has dawned.

In the 21 century fonts have gone beyond the pale of what can be termed as mere design and using tools to create an aesthetic font. The font creator has to be aware of standards, script grammar, rendering and display issues and above all, the complexities of making the font work across all the different platforms. Font technology today is a far cry from the past where the only issue was to create a font designed to suit a specific purpose and the fontographer is today a programmer, a calligrapher, an artist, all rolled into one.

In the Indian scenario, the role the fontographer is called to play upon is even more crucial. Given the complexity of Indian scripts which are often non-linear, the variety of conjuncts and shapes and above all, the different demands of the industry: wordprocessing, video, DTP to name only a few, an urgent need makes itself felt to bring all specialists working in the area to meet on a common platform and discuss the various issues that beset them in the rapidly evolving scenario of font technology. It is to this thematic that the workshop addresses itself. Font technology within an Indian perspective needs to bridge the gap between classical writing styles and present-day technology to bring to the st 21 Century, the best in ancient writing styles. The key focus areas are the evolution of font technology through the past and its ties with manuscripts and texts; the latest trends and developments used in font development and also a look at what the future has in store. Since fonts play a crucial role in shaping our vision of the written and visual world, the socio cultural impact of fonts and their contextual thematic are a vital part of the workshop. A vital thrust area is also imparting the knowledge of font technology as a science and creating a “school”. The workshop is therefore targeted at not only those involved in the development of fonts, but also at researchers, academicians, software engineers, linguists, graphic designers, content developers, product marketing engineers and students in the relevant fields.

 
The Organizers

Centre for Development of Advanced Computing (C-DAC) as a premier initiative of the Department of Electronics and Information Technology (DeitY), Ministry of Communications and Information Technology (MC&IT), Government of India embodies the national spirit of indigenous high-end research and development for state-of-the-art technologies and solutions. In a bid to attain technological competency in the evolving arena of Information Technology and proliferate its inherent benefits towards the advancement of its citizens as well as society, C-DAC has mobilized its indigenous human and technical resources towards the design, development and deployment of electronics and advanced Information Technology (IT) products and solutions.

 
GIST Group, C-DAC

C-DAC has pioneered the Graphics and Intelligence based Script Technology (GIST), which facilitates the use of Indian languages in Information Technology. During the 1990's several companies developed digital fonts for Indian languages on computers. C-DAC took the lead and evolved the character-slice (glyph) coding standards to ensure good appearance and aesthetics for which Indian scripts are famous. These fonts have become the most preferred and de-facto for Indian languages in printing, publishing & Web publishing. C-DAC GIST has also developed Unicode based OTF fonts for most of the Indian languages inclusive of Nastaaliq, Nashq and prevalent Perso-Arabic styles. Fonts for mobiles, pagers, broadcast medium, printers, are not lagging behind. A staggering library of over 8000 TTF and OTF underlie our rich heritage. Indian symbols, borders & clipart for various occasions are also under development.

In its pioneering efforts to promote Open Source, C-DAC GIST is also working on its own rasterising engine and is also exploring the free-type library as well as new technologies to bring the best in Indian language fonts to the computer platform.



 
Objectives
  • Education, Exploration and Inspiration in the arena of digital fonts, its roots and its potential future dimensions.
  • Formation of a progressive group within India for typographic awareness, studies and research on the digital platform.
 

Call for Papers

Authors are invited to submit original unpublished work in the areas of Calligraphy and Typography in the shape of papers, presentations or posters. These should focus on one or more of the following areas proposed but could also bear on associated research areas not mentioned below.

 

Calligraphy

  • The influence of ancient writing styles from manuscripts and calligraphy on font design in Asian scripts.
  • Influence of the medium such as Palm Leaf, Copper plate, Stone on development of Indian scripts and their eventual impact on present-day Indian fonts.
  • Font technology with special reference to Perso-Arabic scripts: Calligraphic traditions, writing styles and their impact on the digital medium.
 
Domain based Typography
  • Specific Domain Fonts used to display text like Vedic Sanskrit, Grantha, Musical representations, Mathematics etc.
  • Font usage on the Web platform: Font embedding (dynamic font), font display, and usage of open type font on web.
  • Font Types in Video/ TV : Problems and requirements
  • Developing fonts for embedded devices such as mobiles, handhelds and other widely used digital display mediums.
 

Typography and its relation to Industry

  • Typography in print and digital news papers. Past, Present and Future.
  • Typography from the Industrial perspective: needs and requirements of the Print and DTP industry.
 
Societal dimensions of Typography and font design
  • Developmental Cycle: From script to font within a sociocultural perspective: the transition from the original script to the new adoption involving issues in identity, standardization in usage, acceptance in society.
  • Fonts from a socio-cultural perspective: use of fonts, language technology, real needs as well as short comings of communication design.
  • Sociolinguistic impact of fonts in child learning.
  • Correlation of fonts and reading in adults.
  • Conservation of legacy scripts on digital platform keeping its original character intact.
 

Tools & Technologies

  • The journey of digital font technology till date, focusing on the intense design and development process that is undergone in developing them.
  • An introduction to the latest technological trends and tools used in font development.
  • Tools for digital font design: a comparative analysis
 

Typography from a Theoretical Perspective

  • Script Grammars and font development
  • Standards and Font Technology.
  • Benchmarking standards and testing methodology for Indian Language fonts.
 

Language of the conference

The conference will be conducted in English. All submissions, papers and presentations should be made in English/Hindi, although examples pertinent to a given script/language can be either in Roman, IPA or in the original script (in a jpg format to ensure correct display). Posters may be multi-lingual.

 

Submission guidelines

The submission must contain:

  • An abstract of 200-250 words, defining the statement of purpose, the contents, conclusions and/or the final summary. The key-words of the paper should also be provided.
  • Curriculum Vitae of the Presenter
  • The complete Manuscript of a length not exceeding 15 pages should be submitted on being notified. Detailed guidelines for the same will be provided at the time of notification.

All submissions should be emailed to using ASCII, non-compressed text stating the subject as ABSTRACT / CV for NWCT.

 

Publication

In the eventuality of the paper being accepted, it will be included in the workshop compendium to be given to the participants at the time of the conference and also will be available on website.

 

Important dates

Submission of Abstract and CV : March 25, 2007 Notification for submission of the completed paper : March 30, 2007 Complete Paper due : April 9, 2007 (In electronic format and camera-ready paper form)

 

For further details, please contact:

The Secretariat , NWCT
Centre for Development of Advanced Computing
Pune University Campus. Pune 411007 India.
Tel: 91-20-25704142, 2569 4091,
Fax: 91-20-2569 4004,

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